Oops I Did It Again Music Video Cast
Music videos are the virtually remarkable works of fine art of the modern world. The MTV generation of the '80s and '90s watched eye-catching clips from the creative pioneers who launched the medium. Present, artists strive to make videos that eclipse boundaries already broken in hopes of gaining attention.
More music videos get released all the time, simply only a select few take been powerful plenty to spark controversy, launch careers and withstand the examination of time. These are some of the most iconic music videos of all time.
Michael Jackson – "Thriller" (1983)
Michael Jackson's most iconic video is a mini-motion-picture show that runs for xiv monstrous minutes. The spooky spectacle is an homage to sometime horror films mixed with army camp and an unforgettable dance routine with a horde of zombies. It's Michael Jackson at his finest.
The video made "Thriller" an essential song for every Halloween political party, and it lives on via the popular "Michael Jackson eating popcorn" GIF. Information technology'due south and then iconic, in fact, that it's currently the only music video preserved in the Library of Congress' National Film Registry.
Madonna's legendary musical career explores the complicated relationship betwixt sex and religion, and no music video in her career meliorate illustrates her life's work than "Like a Prayer." The powerful video explored injustice in the prison organisation, interracial dearest and spirituality.
It would be an understatement to say the video didn't cause controversy. Critics hailed it for its symbolic imagery, merely family unit and religious groups were horrified. Even the Vatican condemned Madonna's video, criticizing its "blasphemous use of Christian imagery." In response, Pepsi notoriously canceled its multi-million dollar campaign that used the song.
Kittenish Gambino – "This Is America" (2018)
Gambino'due south rap/gospel video is a gripping meta interpretation of the social injustices that have plagued African Americans for years. The creative person seamlessly weaves through protestors, shooting sprees, constabulary brutality, all the while sidetracked with a group of dancers fixated on the latest dance moves.
The net spent weeks watching the video, attempting to decode its blink-and-you'll-miss-it symbolic imagery. Endless think pieces subsequently, the video cemented the song as a modern-day protestation anthem confronting gun violence, police brutality and bigotry.
George Michael – "Freedom! 'xc" (1990)
In 1990, George Michael was at the height of his game. His music videos were in heavy rotation on MTV, and his albums were selling out beyond the world. But when it came fourth dimension to make the video for "Freedom! '90," Michael had had enough of the pop music rat race.
He grew tired of the pressures of fame and wanted to take a step dorsum from the spotlight. Instead of seeing George Michael, fans saw supermodels Naomi Campbell, Linda Evangelista and Cindy Crawford singing his song, as symbols of the pop legend burned in flames.
Missy Elliot – "The Pelting (Supa Dupa Fly)" (1997)
When it comes to outrageous music videos, no i comes shut to Missy Elliot. She combines surrealist visuals with colorful wardrobes and gravity-defying trip the light fantastic toe routines. She has a catalog of amazing choices, but her breakout video, directed by Hype Williams, remains the rapper'southward most iconic of all time.
In the video, Missy sported her glittered helmet glasses and patent leather accident-up accommodate, likewise lovingly referred to every bit her "trash bag bubble." The video likewise filled the screen with neon landscapes, pelting dancing in Timberland boots and countless celeb cameos.
Beyoncé — "Single Ladies (Put a Ring on Information technology)" (2008)
"Single Ladies" had no costume changes, no set changes and very simple choreography. It sounds like a recipe for something tiresome, but the less-is-more approach made Beyoncé's moves nothing short of captivating. Fans beyond the earth went wild over the dance, and many wannabes uploaded their own versions on YouTube to the delight of viewers.
Beyoncé went on to win big at the 2009 MTV Video Music Awards, snagging the coveted Video of the Year award. Withal, she lost the Moonman for Best Female Video to Taylor Swift, prompting a very drunk Kanye West to interrupt Swift during her acceptance spoken language on Beyoncé's behalf.
Peter Gabriel – "Sledgehammer" (1986)
Gabriel's "Sledgehammer" was a trippy tour de force. In the video, the British rocker danced his way through playful vignettes of claymation, pixilation and stop-motion animation. In reality, he had to prevarication nether a canvass of glass for 16 hours so they could picture show the video one frame at a time.
His efforts paid off. The video was a marvelous display of creativity, weaving through crazy scenes seamlessly. It went on to win nine MTV Video Music Awards in 1987, the most awards a video has ever won.
9 Inch Nails – "Closer" (1994)
This creepy prune took identify in what can simply be described as a 19th-century dr.'south office with a touch of South&K. Ix Inch Nails frontman Trent Reznor found himself blindfolded, gagged, windswept, handcuffed and surrounded by various dismembered animals.
The video was as well explicit for Television receiver, so several scenes were blocked by a blackness screen that read "Scene Missing." The video was later voted number one in a VH1 Classic poll for "The Greatest Music Videos of All Time."
Janelle Monáe feat. Grimes – Pynk (2018)
Monáe doubled downward on self-love and female empowerment at the coolest desert party of all fourth dimension. In the 2022 video for "Pynk," women were prophylactic to be themselves — and men weren't necessary. The queer representation and anatomically-various lady pants were a visual breath of fresh air.
The video premiered around the fourth dimension Monáe came out as pansexual, which was a large moment for the very individual singer. For that reason, the video's visuals and message made the vocal an anthem for lesbian, bisexual and queer-identifying women.
The Groovy Pumpkins – "Tonight, Tonight" (1996)
The Smashing Pumpkins usually made heavy metal goth rock, but this song was unlike. "Tonight, Tonight" was an orchestral, climactic carol with a video that harkened back to the silent movie era.
The video's primitive furnishings and turn-of-the-century costumes were a surprising visual counter to the band'southward audio. It was a significant visual departure for the band, and it paid off in droves. Silent films were all of a sudden all the rage, and the band won half dozen MTV Video Music Awards.
O'Connor took viewers through an emotional rollercoaster in her emotional Prince cover. The video mostly consists of a closeup shot of her face up every bit she sang through her anger and sadness. Toward the end of the video, two real tears rolled down her cheeks.
The clip collected three Video Music Awards in 1990, including Video of the Yr. O'Connor inspired other artists, including D'Angelo and Miley Cyrus, to expect into the camera for their music videos, but nothing compares to Sinéad's devastated gaze all these years afterwards.
OK Go – "Hither Information technology Goes Once again" (2006)
OK Go made a name for themselves in the early on 2000s with their low upkeep viral videos. Their first video for "Hither It Goes Again" was a circuitous dance routine on treadmills performed in one accept. It was their starting time taste of virality and changed the music video game forever.
YouTube was becoming the next MTV, and musicians looking to make a wave had to remember fast. OK Go had the idea to create music videos with the intention of trending on the internet. They kept the aforementioned formula intact for all their videos that followed.
A-ha – "Take On Me" (1984)
A-ha made music video history thanks to the animation style known as rotoscoping. Animators draw over movement movie footage frame by frame to produce realistic action with a cartoon look. It sounds like a lot of piece of work — and information technology is — but it paid off for the Norwegian synthpop band.
The video's romantic storyline and whimsical blitheness mode made MTV history. The grouping won six Moonmen at the 1986 Video Music Awards and amassed over 930 million views on YouTube. Bands like Weezer and Paramore have created their ain video tributes using the iconic style.
Christina Aguilera, Lil' Kim, Pinkish, Mya and Lil Kim — "Lady Marmalade" (2001)
Information technology'due south the ultimate pop music collaboration. These four powerhouses joined forces with a lot of lingerie for a cabaret like no other. Like a circus on acid, each performer showed off tiny costumes, sultry dance moves and outrageous hair and makeup.
The blend of hip hop, popular and French cabaret was a recipe for success. The video won the 2001 MTV Video Music Award for Video of the Year and the 2002 Grammy Honor for Best Pop Collaboration with Vocals.
2Pac feat. Dr. Dre – "California Dear" (1995)
Called-for Man meets Mad Max in 2Pac and Dr. Dre's futuristic homage to their home land of California. Filmed inside the actual Thunderdome from Mad Max Beyond Thunderdome, the powerhouse rap duo threw a postal service-apocalyptic rave in the desert for the video.
Everyone in this video'south twisted hereafter collection giant jeeps and wore steampunk armor. The sepia-toned, desert visuals make the video look futuristic to this day, unless you've always been to Burning Man. Then it's just another twenty-four hour period at the Thunderdome.
Pearl Jam – "Jeremy" (1992)
Pearl Jam's "Jeremy" was a spooky illustration of loneliness and depression. The troubled lead, Jeremy, moved through frozen family members and classmates as the music intensified. Strobe lights flashed as words like "problem" and "ignored" appeared, pushing Jeremy to his breaking bespeak.
In the video'due south unedited climax, Jeremy reached for a gun in his desk and shot himself. MTV restricted the most violent parts from airing, and an alternative version was released. The video was still powerful subsequently the edits, merely Pearl Jam stopped making videos for years following the controversy.
Outkast – "B.O.B." (2000)
Outkast has so many iconic music videos that it's difficult to pick but i. "Miss Jackson" saw Andre 3000 and Big Boi salve a house from flooding equally animals bounced their heads to the music. "Hey Ya!" offered a Beatles-way performance on live TV.
But none of Outkast'southward other videos compare to "B.O.B.," their hip hop opus on psychedelics. The rap duo celebrated their community while expressing their unique individuality. No i could mix technicolor bourgeoisie, bondage–clad Bond girls and gospel choirs quite similar Outkast.
Michael Jackson and Janet Jackson – "SCREAM" (1995)
The iconic Jackson siblings hopped aboard a spaceship for a $7 million ride into history. The video for "Scream" earned the Guinness Book of Earth Records title for the most expensive music video ever made. The video gave Michael a chance to retaliate (angrily) against the media.
The spaceship featured a pick of rooms for the brother-sister duo to relax, but they had other plans. Instead, the Jacksons allow out their aggressions and danced with a vengeance. It was a complicated time in the King of Pop'south controversial career, and the video proved it.
Jamiroquai – "Virtual Insanity" (1996)
Jamiroquai's vocalist Jay Kay takes viewers on a ride with the about confusing dance sequence in music video history. Performed in a white room with a gray floor, Jay Kay sang the song as the floor appeared to motion while the room stood still.
Viewers and critics agreed that this was a stunning display of special effects. Jay Kay'south bizarre dancing helped a little likewise. The video won four Moonmen at the 1997 Video Music Awards, including Video of the Year.
Sia – "Chandelier" (2014)
Before making information technology big as a pop singer, Sia was a talented songwriter for big-name acts like Rihanna and Katy Perry. Years later releasing her own indie music, Sia broke through with 1000 Forms of Fear. The only problem was she was agape of the attention.
Enter dancer Maddie Ziegler. Instead of Sia starring in her own video, the young dancer donned a blond wig and danced through Sia'south powerful song. The choreography fit the song perfectly, and Sia enjoyed the spotlight from a prophylactic distance.
Nirvana – "Smells Similar Teen Spirit" (1991)
The song ushered in the grunge motion, but the video for "Smells Like Teen Spirit" ushered in the expect. First-time director Samuel Bayer took a typical loftier school concert and turned it into a total riot. What else would you expect from a schoolhouse with cheerleaders sporting agitator symbols?
The grunge stone movement paired well with a general apathy toward social club, and the video exemplified that. In fact, the students shown in the video were actually bored after filming the video for several hours.
TLC – "Waterfalls" (1995)
The clouds. The water. Those matching pastel pants! TLC were aquatic muses with a warning for the earth in their iconic "Waterfalls" video. T-Boz'southward raspy phonation offered ii tales of gang violence and unsafe sex as viewers watched the stories unfold.
Not fifty-fifty Left-Eye's timeless rap could save the characters from making the incorrect decisions. By the end of the video, T-Boz, Left-Middle and Chili appeared liquified next to an actual waterfall — and danced their way into '90s history.
Kendrick Lamar – "Apprehensive." (2017)
Lamar made music video history with the release of his spiritually charged video for "Humble." The video started with Lamar dressed like the pope, looking somber in a cathedral. He later on recreated Leonardo da Vinci's 15th-century painting The Final Supper, with Lamar, naturally, sitting in Jesus' chair.
In between religious visuals, Lamar played with money, golfed in an underpass and stood surrounded by men on burn. Critics hailed it equally a critique of lodge'southward focus on consumerism. Perhaps we should all "sit down and be humble."
Mariah Carey – "Honey" (1999)
Mariah Carey was topping the charts with her pristine image for years, but that came to a screeching halt in 1999. Something was different well-nigh the elusive chanteuse with the release of "Honey." The squeaky clean singer spent the video diving in a bikini and dancing way more suggestively than e'er before.
Carey was in the midst of divorcing her music executive husband, Tommy Mottola. The video was a provocative pivot for the diva and a not-and then-subtle nod to her divorce. In the video, she escaped captivity from a wealthy man'south mansion and began the rest of her life every bit a complimentary, liberated woman.
Guns N' Roses – "November Rain" (1992)
The video for Guns 'N' Roses booming ballad "November Rain" featured the most rock n' roll wedding of all time. In the video, lead singer Axl Rose married his then-girlfriend Stephanie Seymour, surrounded by gothic candles, cigarettes and hairspray.
Between shots of the wedding reception, viewers watched in high-def as the band performed "live." The $ane million video ended in despair afterwards nine beautiful minutes. Rain poured down during the reception, which and so segued into shots of Seymour's funeral. Information technology'due south confusing, simply all the same ballsy.
Rihanna & Calvin Harris – "We Found Love" (2011)
Music videos depicting relationships gone wrong are a dime a dozen. However, director Melina Matsoukas created a relationship rollercoaster ride. Rihanna fought, kissed and danced through her relationship with her boyfriend before leaving him in a pool of drugs and booze.
The video used visual cues from films like Trainspotting and Requiem for a Dream to emphasize their cluttered honey. It won the Grammy Honor for Best Short Form Music Video and the VMA for Video of the Year.
Queen – "Maverick Rhapsody" (1975)
Before the regular release of music videos, there were promotional videos. As well known as "pop promos," the videos played on Tv stations when the bands couldn't be there to perform for the cameras. Queen specifically wanted to produce their video and so they could avoid lip-syncing to their vocal on Meridian of the Pops.
It turned into more than a performance clip of the band; it was an creative statement. The video is one of the master catalysts for the creation of MTV and the creation of music videos at big. It currently has more than one billion views on YouTube.
Luis Fonsi feat. Daddy Yankee – "Despacito" (2017)
Before the video was filmed, Fonsi had some requests. First, he wanted 2006'southward Miss Universe, Zuleyka Rivera, cast to represent "the ability of a Latina woman." Side by side, he wanted the video to celebrate Latin American culture and amplify the song's soul accurately.
He nailed it. The video perfectly captured the dazzler of San Juan, Puerto Rico, and Fonsi and Daddy Yankee serenaded the world with their infectious hit. "Despacito" stands alone on YouTube with more 6.4 billion views, making it the almost viewed music video of all time.
Prince – "When Doves Cry" (1984)
Doves, flowers and a smoking bathtub all within the first 10 seconds? Information technology must be Prince. Wearing nothing but a cantankerous around his neck, Prince rose from his bathtub and stared into the photographic camera, holding his hand out for whoever wanted it.
The video featured Prince getting dressed to perform, mixed with scenes from his Academy Award-winning stone musical Majestic Pelting. Information technology was one of the offset clips to spark controversy for being too sexually explicit for Telly.
Bjork – "Big Time Sensuality" (1993)
This is the video that fabricated Björk a household name, and the premise was uncomplicated: Motion picture Björk while she dances on the back of a truck in New York Urban center. Elementary or not, information technology was just bizarre enough to make the video an MTV mainstay in 1993.
The focus was on her tight hairdo, bizarre trip the light fantastic toe moves and grandiose facial expressions. She was the otherworldly Icelandic pixie on total display in the Big Apple, and you could most experience her joy climb through the black and white clip.
David Bowie – "Ashes to Ashes" (1980)
In 1980, music videos were still finding their footing. Most videos at the fourth dimension showed bands performing their songs as if they were on another stage. There weren't a lot of creative special effects used nonetheless. That is, of grade, until Bowie got into the mix.
Bowie was already a artistic legend, but music videos gave him the chance to push boundaries fifty-fifty further. The opulent, otherworldly prune cost more than $425,000 to brand, making it one of the most expensive music videos of all time.
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